The follow-up, Success Hasn't Spoiled Me Yet, was released in 1982, spawning the Top Ten smash 'Don't Talk to Strangers.' 1983's Living in Oz offered more of the same, including the Top Ten 'Affair of the Heart,' although it betrayed signs that the gears were beginning to wear down on the Springfield machine. Powered by the classic single 'Jessie's Girl,' which eventually hit the top of the charts, and the Top Ten follow-up 'I've Done Everything for You,' Working Class Dog was a smash success, and Springfield eventually returned to his first love, music, when concerts conflicted with his television career. Springfield's popularity skyrocketed, setting the stage for the release of Working Class Dog later that year. Although Universal dropped him shortly thereafter, he was able to secure a recording contract with RCA on the strength of his demos in the midst of recording his debut for the label, he was signed to play the young, eligible Dr. He signed a contract with Universal Studios in 1980 and appeared on several television programs. In the meantime, Springfield had begun taking acting classes. Subsequent '70s albums stiffed, and record company difficulties prevented Springfield from recording after 1976. but would prove to be his last major success for quite some time. success the following year with a re-recording of his Australian hit 'Speak to the Sky' the song reached number 14 in the U.S. Springfield went solo after the breakup and garnered his first U.S. Zoot became one of the most popular groups in Australia until 1971, scoring several hits. He formed a band in high school and eventually joined a '50s revival group called Rock House, moving on from there to join the teeny bopper band Zoot in 1968.

A singer-turned-soap opera star-turned-singer, Springfield was born Richard Springthorpe on Augin Sydney, Australia to a father in the military the family moved around Australia and England a great deal during Springfield's childhood, and he sought his escape from the difficulty of making friends in books and music. Although Rick Springfield's music was frequently dismissed as vapid teen idol fare, his best moments have actually withstood the test of time far better than most critics would ever have imagined, emerging as some of the most well-crafted mainstream power pop of the 1980s.

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